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Don't ask.) Alex's inventively "free" dancing contrasts with the disciplined ballet that Hanna wants her to study. Don't ask.) Alex's aspirations for a better life and an artistic calling contrast with the short-term focus and resignation of the other dancers, as exemplified by Margo's speech near the film's end.
He's even more intrigued when he discovers that she works for him. (And exactly how does a steelworkers' bar manage to maintain a dancing stage with expensive lighting and fixtures that look like they belong in a "members only" club for Wall Street highrollers?
The songs had to work independently of the film to be suited for radio play (and later, music video), but at the same time they had to serve a purpose within the film.
It's no accident that dancing replaced singing in movie musicals after .
Paramount/Warner's 1080p, AVC-encoded Blu-ray is a superb rendition of Lyne's and Peterman's vision, as it was seen by audiences in 1983.
The grain and texture of the imagery have been retained without diminishment, but they never become obtrusive (unless one is allergic to even a hint of grain).